While beginning the pre-production process for Guillermo del Toro’s “Frankenstein,” production designer Tamara Deverell began her research by going to museums to create the look of 1850s Edinburgh.

Color Arts continued to pay about $7,500 per month for Frankenstein even after it was moldering in its grave as an unusable piece of equipment. Employees cite many such spending examples, both large ...

People love Guillermo del Toro, and that’s not hyperbole. Hollywood’s affection for the Oscar-winning auteur goes far beyond mere admiration. The Mexican filmmaker, who won best picture and director ...